Mixed-Media Landscapes
Exploring texture and landscape through fabric, acrylic, and layered surfaces.
+ Acrylic
Preparing the gallery...
Art gives us another way to understand one another.
I'm a student artist and designer exploring the space between creativity, emotion, and human connection. Through painting, visual storytelling, and independent projects, I explore how art can communicate what we sometimes struggle to put into words.
More than what meets the eye.
I've always been interested in the things people see differently. A painting can bring back a memory, a color can suggest an emotion, and an unfamiliar image can mean something entirely different to two people.
That curiosity shapes both my art and the projects I create. From working with young psychiatric patients through Inner Canvas to building a platform for emerging artists, I've become interested in what happens when creative expression becomes a shared experience.
I paint, design, write, research, and occasionally experiment with coding. Each gives me another way to explore the same question: How do we understand one another?
A collection of artwork, exhibitions, and experiments in different materials and forms. Some pieces explore my own experiences. Others began with questions about identity, emotion, and how people interpret the world around them.
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Exploring texture and landscape through fabric, acrylic, and layered surfaces.
Bringing personal identity into conversation with Korean painting traditions.
A growing collection of 25+ artworks developed through studio practice and exploration.

Bringing artwork into shared spaces, from galleries to digital environments.

Creating art is only one part of what interests me. I'm equally curious about what happens when an idea becomes a project, invites other people to participate, or creates an opportunity that didn't exist before.
An art-expression initiative created to help young psychiatric patients explore feelings through visual work. Through instructional videos, collaborative interpretation, and artwork sales, Inner Canvas explores how creative expression can open new ways to communicate.
A virtual space designed to help emerging artists showcase and sell their work, connect with creative professionals, and find opportunities beyond traditional gallery systems.
Two independently published books, The Rooms Inside Me and Inner Canvas, exploring identity, inner emotions, and the possibilities of visual storytelling.
One of my current interests is the relationship between visual expression and emotional understanding. My independent research examines whether starting with images, rather than words, can help adolescents distinguish and describe complex feelings.
It's a question that connects my interest in psychology with my work as an artist. I'm curious not only about what people create, but also about what creating might help them discover.
Take a look around. Explore my work, the ideas behind it, and some of the things I've been learning along the way.
An artist, a curious observer, and someone who likes turning questions into creative projects.
I'm a student artist and designer based in South Korea. My interests move between painting, psychology, writing, and design, but they often begin with the same curiosity: how people experience, interpret, and express the world around them.
In the studio · charcoal on paper
From making art to making connections.
I first approached art as a way to explore my own imagination. I was drawn to the freedom of combining materials, experimenting with images, and making something that didn't have to be explained in words.
As I spent more time creating, I became interested in the people who encountered my work. I noticed that an image could invite different interpretations depending on someone's memories, feelings, or experiences.
That interest gradually took my practice beyond the studio.
Through exhibitions, I began thinking about how the space surrounding a work changes the way people experience it. At Doam Gallery, I exhibited landscapes that combined fabric and acrylic. In a Korean painting exhibition, I explored identity through a self-portrait incorporating a traditional seal. I've also displayed work in public spaces and virtual galleries, where art can reach people outside conventional exhibition settings.
These experiences encouraged me to think about art as more than an individual creative process.
I founded Inner Canvas to explore how visual expression could support young psychiatric patients who found it difficult to communicate their emotions verbally. I also created an emerging artist platform to address another challenge I had observed: the limited opportunities available to young artists without access to established galleries or professional networks.
Alongside these projects, I've continued painting, writing, studying psychology, and learning from people working in different creative fields.
I don't believe every artwork needs to deliver a clear message. Sometimes the most interesting thing a piece can do is make someone look again, ask a question, or recognize something they couldn't quite describe before.
That's the kind of work I hope to keep making.
I'm interested in the difference between what we see and what we assume. Whether I'm studying an artwork or listening to another person's perspective, I try to make space for interpretations that aren't immediately obvious.
I enjoy working across different materials and disciplines because each introduces new possibilities. Drawing, textile art, digital design, and creative coding have taught me that the process of making can be just as revealing as the final result.
I've become interested in how creative work can make participation easier for people who might otherwise be overlooked. This idea guides projects such as Inner Canvas and the Emerging Artist Platform.
Drawing, painting, mixed media, traditional Korean painting, and textile experimentation.
The relationship between identity, emotions, visual perception, and expression.
Graphic design, interactive experiences, creative coding, and new forms of digital exhibition.
Independent publishing, journalism, visual narratives, and translating ideas across languages.
Art education, cultural heritage, creative accessibility, and projects that bring people together.

For one exhibition, I attached fabric to canvas before adding acrylic, using the different surfaces to build landscape images.
I've worked on creative coding projects, including a block-coded music education box and a mood-light prototype for pediatric cancer patients.
I founded an interdisciplinary art debate club where students discuss questions such as who owns AI-generated art and how young artists should be supported.
I've translated English TED Talks into Korean, learning how much care it takes to communicate an idea across languages.
I've trained in Pilates, exploring balance, flexibility, strength, and the focus required to improve through practice.
From virtual exhibitions to public displays in everyday spaces, I'm fascinated by how the setting changes our experience of an artwork.
I'm pursuing a U.S. high school diploma through Penn Foster High School and New Ark Global Academy, with expected graduation in 2027.
Alongside my academic studies, I've pursued advanced art coursework, independent research, and creative training.
My portfolio brings together the artwork, exhibitions, and projects that have shaped how I think about art.
Selected artwork, exhibitions, visual experiments, and creative projects.
My work moves across drawing, painting, mixed media, traditional Korean painting, and digital presentation. I'm particularly interested in identity, emotional expression, and the ways materials and images can shape meaning.
This collection brings together individual artworks and projects that invite people to experience art in different ways.
I've become interested in the distance between what an artist intends and what a viewer experiences.
A painting can begin with a particular emotion or memory, but once it is shared, it becomes part of someone else's interpretation. Rather than seeing that difference as a problem, I find it one of the most compelling parts of art.
My practice moves between familiar and experimental materials. I've used fabric beneath acrylic paint to explore landscapes, incorporated traditional Korean painting into a self-portrait, and worked with digital spaces to present stories about emotion and identity.
These approaches have made me more curious about how materials, visual language, and context influence the way people experience an image.
I want my work to offer space for different interpretations. Sometimes that means expressing something personal. Sometimes it means creating a setting where someone else's story can be seen.
Selected works from my AP 2-D Art & Design portfolio. After years of academic training, this portfolio was where I started building images from imagination, combining sources, and letting materials lead. The quotes below come from my portfolio notes.
I did not simply pull information from another source. I combined many of them into an imaginary area that I have never experienced. This felt like the first time I ever determined something.
Buddha has always given me some form of stability; building the fictional space provided the means to maintain that sense of calmness while creating distance between myself and where I have been trained.
The illusion was the most important aspect of the artwork. The spiral brings you in with the same intensity that Korean academic art brought me in for years. However, I am now the artist drawing the circle.
Each individual portrait is a representation of different emotions that I was unable to express as an artist prior to being trained. When viewed individually, each emotion does not represent a single likeness, which is the purpose.
Prior to this project, I had never created a painting based upon imagination alone. The series of drawings I made depict my process of determining what forms would emerge if there were no reference images available.
Although I referenced other artists' work for the eyes, this is the first time I have used reference materials in such a manner.
There was absolutely no reference for this entire scene. I allowed the forest to become an area that I may never visit or even experience in reality.
I returned to working with ink. Although I was trained using this medium, I permitted it to accumulate to a point where the drawing no longer resembles a subject and began to resemble texture.
Before beginning this illustration, I worked out the character on an iPad so that I could continue to modify it. After placing it on paper, however, I could no longer make any changes.
I used Adobe Photoshop to temporarily construct a surreal world. I created a surrealist composition to explore a new sense of atmosphere.
I cropped images and applied a collage technique to the chair.
Inspired by the emotional intensity of a scene from the movie, I explored texture and pattern before painting.
Mathilda represents my experience of being placed in an unfamiliar environment, between vulnerability and growth. The heavy, abstract background expresses emotional chaos and the process of adjustment.
Statement coming soon.
Drawing and painting are at the center of my studio practice. Through observational work, composition, and experimentation with materials, I explore how visual decisions can change the feeling and meaning of an image.
My work has developed through independent practice, professional studio training, and advanced art coursework.
A shared wall of figure studies from life-drawing sessions, shown with classmates' work. My pieces are labeled 20402 김이수.
I'm interested in how materials carry their own visual qualities. Fabric, texture, layering, and paint can change not only how a work looks, but also how its subject is experienced.
For the "결" group exhibition at Doam Gallery, I created two landscape paintings by attaching fabric to canvas and layering acrylic paint over it.
Inspired by a method I encountered in another artist's practice, I experimented with the relationship between the fabric's physical texture and the painted image. The process invited me to consider how material and surface could become part of the landscape itself.
I wanted to explore what happens when a landscape is built from materials that already have their own textures and forms.
Rather than beginning with paint alone, I attached fabric directly to canvas and developed the composition with acrylic. The fabric changed the surface beneath the painted image, introducing new shapes and textures into the work.
Creating these two paintings allowed me to experiment with a technique outside my usual approach and consider how an image can be shaped by the materials beneath it.
Traditional Korean painting offers a visual language with its own materials, conventions, and history. I'm interested in how those traditions can be used to explore contemporary, personal questions.
For the "이형동심" special exhibition, I created a self-portrait incorporating a seal, bringing a personal subject into conversation with traditional Korean painting.
The work explores identity through a visual form connected to cultural tradition.
A self-portrait begins with the familiar subject of one's own face, but it also raises a question about how identity can be represented.
For this work, I chose to explore self-portraiture through Korean painting and the inclusion of a traditional seal. The process allowed me to consider how a personal image could interact with an established artistic language.
The result brought together two things that interested me: the individuality of a self-portrait and the cultural traditions embedded in its form.
Across grades 10 through 12, I trained with professional artists at Leumas Art Studio, developing more than 25 artworks and participating in group exhibitions presented through Withspace.
Working on different pieces helped me strengthen my technical foundation while exploring new approaches to composition, materials, and visual storytelling.
This gallery brings together selected pieces from my studio practice, including works created through guided training and independent experimentation. Each piece represents a different part of the process of learning to observe, make decisions, and communicate visually.
An artwork changes when it enters a space shared with other people. Exhibiting my work has encouraged me to think about audience, presentation, and the relationship between a piece and its surroundings.
My exhibition experience includes physical galleries, public spaces, independently organized online shows, and three-dimensional virtual exhibitions.
Presented two original mixed-media landscape paintings using fabric and acrylic, exploring how texture and painting can work together.
Exhibited a self-portrait incorporating a traditional seal, exploring personal identity through the language of Korean painting.
Displayed original artwork in a restaurant in Yeouido, bringing art into a space where people encounter it as part of everyday life.
I was interested in the possibility of reaching viewers who might not have planned to visit an exhibition.
Organized a virtual exhibition examining the inner wounds of childhood cancer and the many different aspects of identity experienced by children living in hospital.
The virtual format provided a way to present these ideas in a space that viewers could explore digitally.
Organized an independent online exhibition of original artwork that also functioned as a fundraiser.
Entrance-fee proceeds were donated to charity, connecting an exhibition of creative work with a broader act of giving.

Exhibited the Bronze Award-winning work "기억의 잔상" (Afterimage of Memory) in the festival's award-winners' exhibition.
Some of my projects begin with artwork. Others begin with a question about an obstacle someone is facing. I enjoy thinking about how art and design can respond to those questions.
Inner Canvas is an art-expression initiative I founded for young psychiatric patients who may find it difficult to communicate emotions through words.
The project combines instructional art videos, participants' creative expression, and artistic reinterpretation. Selected final artworks were sold, with proceeds directed toward the project.
How can visual expression create another way for people to communicate emotions that are difficult to describe verbally?
I developed instructional art videos to help participants engage in creative expression.
I then reinterpreted participants' artwork into new pieces, exploring how their visual ideas could become part of a broader creative project.
The project also included artwork sales, connecting the creative process with support for the initiative.
Working on Inner Canvas deepened my interest in the relationship between art, psychology, and the interpretation of emotions.
It also raised questions about the difference between observing another person's expression and understanding what they intended to communicate.
Those questions became an important part of my independent research.
Related Work: Inner Canvas Research Paper · Inner Canvas Publication
Breaking into the art world can be difficult without access to galleries, curators, or professional connections. I created the Emerging Artist Platform to help make those opportunities more accessible.
The platform provides a virtual environment for emerging artists to present their work, connect with peers and industry professionals, communicate with curators, and offer artwork for sale.
How can a digital platform help emerging artists reach audiences and opportunities they might otherwise struggle to access?
I designed the platform around three important needs: visibility, connection, and opportunities to exhibit.
Artists can showcase their creative work, engage with other members of the art community, and connect with curators who may help them explore exhibition opportunities.
The platform also includes a marketplace through which artists can offer their work for sale.
As I developed my own exhibition experience, I became more aware of how important access and professional connections can be for young artists.
I wanted to explore a platform that would give more emerging artists a place to introduce themselves and take the next steps in their creative practice.
Platform link coming soon.
Threads of Hope is a textile-based service initiative through which I designed and sewed handmade clothing for babies, donating the finished garments to charity.
The project allowed me to apply my interest in design and materials to a practical form of service.
The initiative brought together sewing, garment construction, and careful attention to the needs of the intended recipients.
Rather than creating clothing for exhibition or sale, I focused on making items that could be given directly to children and families in need.
The project helped me see how creative skills can be used in ways that are both expressive and practical.
My interest in creative problem-solving also extends beyond traditional art materials.
Through coding and maker projects, I've helped develop prototypes that combine design with interactive technology.
Led a team at Deco Coding Institute to design coded prototypes, including a mood light intended for pediatric cancer patients. The team's work received first-place recognition.
Led a team at Eastonic Coding & Maker to develop a block-coded music education box, earning second place in the 2025 competition.
Writing and visual storytelling have become another part of my creative practice. I've independently published two books exploring identity, internal emotions, and the possibilities of communicating through images and words.
The Rooms Inside Me explores identity and inner emotional experiences through writing and visual storytelling.
The book reflects my interest in how we recognize and give form to aspects of ourselves that may be difficult to articulate.
Inner Canvas brings together visual storytelling and the exploration of emotion, reflecting themes that also guide my creative initiatives and research.
The publication is part of my broader interest in art as a language for experiences that words alone may not fully express.
Cover images coming soon.
Whether I'm painting, designing, writing, or creating a new platform, I enjoy the process of discovering where an idea can lead.
My experiences extend from the art studio into research, community service, creative technology, journalism, and leadership.
What connects them is a curiosity about how ideas can become something people experience, use, or learn from.
Turning ideas into initiatives.
Founded an art-expression initiative for young psychiatric patients, created instructional videos, reinterpreted participants' visual work into new pieces, and supported the project through artwork sales.
Developed a digital platform that allows emerging artists to exhibit and sell work, connect with peers and creative professionals, and communicate with curators.
Founded an interdisciplinary discussion club for students interested in visual art, music, and dance. Organized and led ten debates on AI-generated art, artistic authorship, funding for young artists, and the creative industries.
Created handmade clothing for babies and donated the garments to charity, applying textile design and sewing skills to community service.
Independently published The Rooms Inside Me and Inner Canvas, using writing and visual storytelling to explore identity and emotion.
Asking questions beyond the classroom.
Examined whether visual-first expression of mixed emotions could help adolescents develop greater emotional granularity than verbal-first labeling.
The research connects psychological questions about emotion with creative expression and visual interpretation.
Developed a research question, structured a proposal, and presented it at the HOBY Research Proposal Conference.
Mentored peers on research planning, project development, academic writing, and revisions.
Helped supervise lunch periods, maintain student order and safety, and prepare school festivals.
Learning from creative professionals.
My internships gave me opportunities to observe how creative ideas are developed within professional environments, from early concepts to final presentations.
Supported the development of creative projects, observing how concepts were refined and prepared for final presentation.
Observed how artistic and design concepts developed through a professional process, particularly in relation to space, presentation, and visual intention.
Assisted with project development and learned how professional teams organize, communicate, and carry out creative ideas through collaboration.
Creating beyond myself.
Led volunteers in a clean-water initiative supporting the purchase and delivery of water filters to underserved communities in Africa.
Helped organize fundraising across seven international schools, raising $680 through handmade T-shirts and tote bags to purchase school supplies for Eden iVille orphanage.
Promoted Taekkyeon, a traditional Korean martial art, as cultural heritage through social media, online petitions, and a youth-focused policy proposal.
Produced 12 multimedia posts exploring architecture, sustainability, and global awareness, receiving recognition through the program.
Participated in international human-rights petitions and cross-cultural exchange programs involving students and educators.
Completed four service campaigns, including Street Sweep, The Art of Community, and Scrub a Dog, contributing to civic and animal-welfare initiatives.
Supported pediatric cancer patients through volunteer service.
Volunteered in Bishkek, Kyrgyz Republic, at DOC Hospital (Salymbekov University Medical School affiliate) and MS Eye Clinic at the Kyrgyz National Hospital, assisting ophthalmologists during clinical examinations and supporting post-operative care.
Exploring the power of communication.
Wrote articles on K-fashion, business trends, and pediatric cancer. Received editorial recognition for journalistic work.
Translated English TED Talks into Korean and contributed captions to improve accessibility, receiving official recognition and a certificate.
Different disciplines, shared curiosity.
Led a team developing coded prototypes, including a mood light designed for pediatric cancer patients. Won first place.
Led the development of a block-coded music education box and earned second place in the 2025 competition.
Developed skills in balance, flexibility, and core strength through Pilates training and practice.
Every project has introduced me to new people, questions, and ways of approaching problems. Together, they've shaped how I think about creativity and the ways it can connect to the world around me.
A selection of awards and recognitions I've received across art, writing, research, technology, and academic competitions.
Each represents a different experience that challenged me to develop an idea, improve my work, or explore a new field.
Score
Score
Precollege Drawing Summer Program
Two Published Books
Gallery, Public Space & Virtual Exhibitions
Awards mark moments of achievement, but I'm most interested in how each experience shapes the questions I want to explore next.
An overview of my education, artistic practice, creative initiatives, research, leadership, and community involvement.
Student Artist & Designer
I'm a student artist and designer interested in visual expression, emotional understanding, and creative projects that connect people. My experience spans studio art, exhibitions, independent publishing, research, design, community initiatives, and creative technology.
Founded an art-expression project for young psychiatric patients, developed instructional art videos, interpreted participants' artwork into new creative pieces, and directed artwork-sale proceeds toward the project.
Built a digital platform supporting emerging artists through virtual exhibition, artwork sales, peer connections, professional networking, and curator access.
Founded and led an interdisciplinary art debate club, organizing ten discussions about artistic authorship, AI-generated artwork, arts funding, and creative industries.
Sewed handmade baby clothing and donated garments to charity.
Independently published The Rooms Inside Me and Inner Canvas, exploring identity, emotion, and visual storytelling.
Organized a digital exhibition of original work and donated entrance-fee proceeds to charity.
Trained under professional artists, created 25+ artworks, and participated in online group exhibitions.
Displayed two mixed-media landscape paintings using fabric and acrylic.
Presented a self-portrait incorporating a seal and traditional Korean painting techniques.
Displayed original artwork in a public restaurant in Yeouido.
Organized a virtual exhibition exploring the inner emotional wounds and identities of children living with cancer.
Exhibited the Bronze Award-winning work "기억의 잔상" at Marou Art Center, Insadong, May 28 – June 1, 2026.
Supported the development and presentation of creative projects.
Observed professional art and design development, with attention to space, presentation, and artistic concepts.
Supported creative project development and professional collaboration.
Studied whether visual-first expression of mixed emotions supports greater emotional granularity among adolescents than verbal-first emotional labeling.
Developed and presented a research proposal.
Mentored peers in research planning, project development, academic writing, and editing.
Assisted with student supervision, safety, and school festival preparation.
Led a clean-water initiative supporting the delivery of water filters to underserved communities in Africa.
Helped raise $680 across seven international schools to provide supplies for Eden iVille orphanage.
Promoted traditional Korean Taekkyeon through social media, petitions, and a policy proposal.
Created 12 multimedia posts addressing architecture, sustainability, and global issues.
Participated in human-rights petitions and cross-cultural exchange programs.
Completed four civic engagement and animal-welfare campaigns.
Supported pediatric cancer patients.
Assisted ophthalmologists and supported post-operative care at DOC Hospital and MS Eye Clinic, Bishkek.
Led prototype development, including a mood light for pediatric cancer patients; earned first place.
Developed a block-coded music education box; earned second place in the 2025 competition.
Trained in Pilates, focusing on strength, balance, flexibility, and mindful practice.
Reported on fashion, business, and pediatric cancer, receiving journalistic recognition.
Translated English talks into Korean and contributed accessible captions, earning official recognition.
11th Big Read Challenge Book Report Essay Contest
Eastonic Coding & Makers Competition
Gangnam Post
NGA National Math Contest
Leumas Annual Fashion Brand Award
HOBY Korea International Young Scholars Conference 2026
Additional awards in visual arts, community recognition, and academic competitions are available on the Honors page.
A little about who I am, what I create, and the things that inspire my curiosity.
Art, curiosity, and everything in between.
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There are things a résumé can tell you, and things that are easier to understand when you hear someone speak.
In this video, I share a little more about my interests, the ideas behind my work, and what I'm excited to keep exploring.
Discover Inner Canvas, the Emerging Artist Platform, and other initiatives.
Whether you'd like to ask about my artwork, discuss a creative idea, or simply get in touch, I'd be happy to hear from you.
Prefer email? Reach me at
[Email Address]